I am pleased to have created and to post here a complete analysis of the harmony of Mozart's interesting Agnus Dei movement from Missa Brevis in D (K.194). 'Complete' means every note is included; no passing tones are excluded. However, trills are excluded.
Explanation of notation:
o In '(chord)/N', the component, '/N' indicates the bass note. E.g., 'b: F#/3' says the bass is A#. This is true even though b minor contains A-natural. Of course, all default accidentals are like the G chord in C major. The key determines the default roots of the chords, but not any other notes of the chords.
o No interval from the root higher than a seventh appears in the bass; e.g., a hypothetical notation of 'G9/9' is replaced with, 'G9/2'.
o Symbols:
Raised or lowered from the current, major or minor scale:
+: root is raised a half-step.
-: root is lowered a half-step.
( ): combines chords over time; e.g., in the notation, '(F G) C', the chord, 'C' consumes the same amount of time as the chord sequence, 'F G'.
;: a separator for human readability; use in the center of measures.
_: continue the latest chord.
~: continue the latest chord.
|: measure separator
0: measure separator
dim: diminished chord (the fifth from the root is diminished).
m: minor chord. (Note that 'm' (e.g., Bm) is used only for minor thirds and only in letter-name chord names; the chord symbol, 'min' (e.g., Gmmin9, vmin9) is used only for other minor intervals both in the letter-name and in the roman-numeral chord names.)
rest: silence.
The harmony:
The following measures are in 3/4 time:
Adagio, solo (religious mood), 'Agnus Dei, Agnus Dei, qui tollis peccata, peccata mundi:'
1-8: Bm 0 F#7/A# 0 Bm 0 F#7/A# 0 Bm G/B ~ 0 Gdim/A# F#/A# F#m/A 0 G#dim7 G#dim6 G7 0 Bdimx3s5/F# F#x5/A# REST 0
| 1-8: b: i | V7/3 | i | V7/3 | i VI/3 _ | vid/3 V/3 v/3 | +vid7 +vid6 VI7 | idx3s5/5 Vx5/3 rest |
tutti (crowd mood), 'miserere, miserere,'
9-12: D 0 A7/C# 0 D 0 A7/C# 0
9-12: D: I | V7/3 | I | V7/3 |
13 beat 2 (group mood), 'miserere nobis.'
13-16: D ~ Am/C 0 B7 ~ A#dim6 0 ~ Bx3s4 B 0 Ex3 ~ Cx5 Am F#dim7 D#dim6min9x7 0
13-16: D: I _ v/3 | VI7 _ +vd6 | _ vix3s4 VI | iix3 _ -VIIx5 v iiid7 +id6min9x7 |
13-16: D: I _ e: iv/3 | V7 _ +ivd6 | _ vx3s4 V | ix3 _ VIx5 iv iid7 +viid6min9x7 |
letter A, solo (religious mood), 'Agnus Dei, Agnus Dei, qui tollis peccata, peccata mundi,'
17-24: Em 0 B7/D# 0 Em 0 B7/D# 0 Em C/E ~ 0 Cdim/D# B/D# Bm/D 0 C#dim7 C#dim6 C7 0 Edimx3s5/B Bx5/D# REST 0
17-24: e: i | V7/3 | i | V7/3 | i VI/3 _ | vid/3 V/3 v/3 | +vid7 +vid6 VI7 | idx3s5/5 Vx5/3 rest |
tutti (crowd mood), 'miserere, miserere,'
25-28: G 0 D7 ~ (Bmmin9 D7/A) 0 (G ~ ~ G9x7/A) G G/D 0 D7 ~ (Bmmin9 D7/A) 0
25-28: G: I | V7 _ (iiimin9 V7/5) | (I _ _ I9x7/2) I I/5 | V7 _ (iiimin9 V7/5) |
29 beat 2 (group mood), 'miserere nobis.'
29-32: (G ~ ~ G9x7/A) G Dm/F 0 E7 ~ Adim/D# 0 D#dim6 Ex3s4 E 0 Ax3 ~ Fx5 Dm Bdim7 G#dim6min9x7 0
29-32: G: (I _ _ I9x7/2) I v/3 | VI7 _ iid/5 | +vd6 vix3s4 VI | iix3 _ -VIIx5 v iiid7 +id6min9x7 |
29-32: G: (I _ _ I9x7/2) I a: iv/3 | V7 _ id/5 | +ivd6 vx3s4 V | ix3 _ VIx5 iv iid7 +viid6min9x7 |
letter B, solos (religious mood), 'Agnus Dei, Agnus Dei,' 36 beat 3 (group mood), 'qui'
33-36: Am Am/E ~ ~ Am ~ 0 E7/G# 0 Am/E ~ Am 0 E7/G# ~ ~ ~ ~ E7 0
33-36: a: i i/5 _ _ i _ | V7/3 | i/5 _ i | V7/3 _ _ _ _ V7 |
'tollis peccata mundi,'
37-40: Ax3s4/E Am/E ~ ~ ~ G7/F 0 F# ~ F#7 0 ~ ~ Bdim/F 0 F# ~ Gdim Gdim/Db Edim6 A#dim6 0
37-40: a: ix3s4/5 i/5 _ _ _ VII7/7 | +VI _ +VI7 | _ _ iid/5 | +VI _ viid viid/5 vd6 +id6 |
37-40: a: ix3s4/5 i/5 _ _ _ b: VI7/7 | V _ V7 | _ _ id/5 | V _ vid vid/5 ivd6 +viid6 |
tutti (combined religious and (41 beat 2) crowd moods), 'Agnus Dei, Agnus Dei,'
41-44: Bm Bm/F# ~ 0 F#7 ~ ~ F#7/E F#aug7 F#7/C# 0 Bm Bm/F# ~ 0 F#7 ~ ~ F#7/E F#aug7 F#7/C# 0
41-44: b: i i/5 _ | V7 _ _ V7/7 Vaug7 V7/5 | i i/5 _ | V7 _ _ V7/7 Vaug7 V7/5 |
45 beat 3 (group mood), 'qui tollis peccata mundi:'
45-48: Bm ~ G/B 0 A#dim6 F#/A# F#m 0 G#dim6 ~ G7 0 Bdims5/F# F# REST 0
45-48: b: i _ VI/3 | +viid6 V/3 v/3 | +vid6 _ VI7 | ids5/5 V rest |
The following measures are in 4/4 time:
Allegro moderato, letter C, solo (religious mood), 'dona nobis pacem, pacem,'
49-50: Ax3,5 D F#mx5 Dx5 ; Ax3s4 ~ C#dim/G Dx5/F# 0 Em7x5/G ~ D/A G/B ; C#dim A7x3 Dx5 ~ 0
49-50: D: vx3,5 I iiix5 Ix5 ; vx3s4 _ viid/5 Ix5/3 | ii7x5/3 _ I/5 IV/3 ; viid v7x3 Ix5 _ |
tutti (religious mood, still), 'dona, dona nobis pacem,'
51-52: G D A7/G D/F# 0 A7/C# D ; (D/A A) (_ A7/G ~ A7/E) 0
51-52: D: IV I V7/7 I/3 | V7/3 I ; (I/5 V) (_ V7/7 _ V7/5) |
solo (religious mood), 'dona nobis pacem, pacem,'
53-54: Dx3 D F#mx5 Dx5 ; Ax3s4 ~ C#dim/G Dx5/F# 0 Em7x5/G ~ D/A G/B ; C#dim A7x3 Dx5 ~ 0
53-54: D: ix3 I iiix5 Ix5 ; vx3s4 _ viid/5 Ix5/3 | ii7x5/3 _ I/5 IV/3 ; viid v7x3 Ix5 _ |
tutti (group mood), 'dona nobis,'
55: D A/C# E7/B A 0
55: D: I V/3 A: V7/5 I |
55: D: I A: I/3 V7/5 I |
'dona nobis pacem,'
56: (E7/D A/C#) (E7/B A) ; (A/E E) REST 0
56: A: (V7/7 I/3) (V7/5 I) ; (I/5 V) rest |
solos (person mood), 'dona pa-/dona'
57: Ex3,5 ~ ; (Ex5/G# Ex3,5) (Ex5/G# E7x5/G# C#m/E E) 0
57: A: vx3,5 _ ; (Vx5/3 vx3,5) (Vx5/3 V7x5/3 iii/3 V) |
'(pa-)/nobis, nobis pacem, dona'
58: A A/E E7x5/G# (C#mmin9x7/E E7) ; A A/E E7x5/G# (C#mmin9x7/E E7) 0
58: A: I I/5 V7x5/3 (iiimin9x7/3 V7) ; I I/5 V7x5/3 (iiimin9x7/3 V7) |
'-cem,/nobis, nobis'
59: A ~ D/F# A/E ; Bm/D G#dim/B E/G# E7 0
59: A: I _ IV/3 I/5 ; ii/3 viid/3 V/3 V7 |
'pacem,'
60: A Bm/D A/E E ; A A/E A/C# A 0
60: A: I ii/3 I/5 V ; I I/5 I/3 I |
tutti (crowd mood), 'dona pa-/dona'
61: Ex3,5 ~ ; (E7x5/G# E7x3,5) (E7x5/G# ~ C#mmin9x7/E E7) 0
61: A: vx3,5 _ ; (V7x5/3 v7x3,5) (V7x5/3 _ iiimin9x7/3 V7) |
'(pa-)/nobis, nobis pacem, dona/nobis pa-'
62: A A/E E7x5/G# (C#mmin9x7/E E7) ; A A/E E7x5/G# (C#mmin9x7/E E7) 0
62: A: I I/5 V7x5/3 (iiimin9x7/3 V7) ; I I/5 V7x5/3 (iiimin9x7/3 V7) |
'-cem,/dona nobis'
63: A (Ax3 ~ Ex3s4/A A) D/F# Amaj7/E ; Bm7/D (G#dim ~ C#7min9x3/G# G#dim) E/G# E7 0
63: A: I (ix3 _ vx3s4/4 I) IV/3 Imaj7/5 ; ii7/3 (viid _ iii7min9x3/5 viid) V/3 V7 |
'pacem, dona'
64: (Ax5 A) (D Bm/D) A/E E ; A (Ax3 ~ Ex3s4/A A) D/F# Amaj7/E 0
64: A: (Ix5 I) (IV ii/3) I/5 V ; I (ix3 _ vx3s4/4 I) IV/3 Imaj7/5 |
'nobis pa-'
65: Bm7/D (G#dim ~ C#min9x3/G# G#dim) E/G# E7 ; (Ax5 A) (D Bm/D) A/E E 0
65: A: ii7/3 (viid _ iiimin9x3/5 viid) V/3 V7 ; (Ix5 I) (IV ii/3) I/5 V |
letter D, '-cem,' solos, 66 beat 3 (religious mood), 'dona nobis pa-'
66-67: Ax3 Ax3/E Ax3,5 ~ ; Ax3 C#mx5 Ax5/C# Ax3/E 0 Ddimx3 Ex5 Ax5/C# Ax3/E ; (Dx5 Dmaj7x5/C#) (Bm D/A) G#dim7x3 ~ 0
66-67: A: ix3 ix3/5 ix3,5 _ ; ix3 iiix5 Ix5/3 ix3/5 | ivdx3 Vx5 Ix5/3 ix3/5 ; (IVx5 IVmaj7x5/7) (ii IV/5) viid7x3 _ |
'-cem,/' (person mood), 'dona nobis pacem, pacem,'
68-69: A ~ C#mx5 Ax5 ; Ex3s4 ~ G#dim/D Ax5/C# 0 Bm7x5/D ~ A/E D/F# ; G#dim E7x3 A F#7/A# 0
68-69: A: I _ iiix5 Ix5 ; vx3s4 _ viid/5 Ix5/3 | ii7x5/3 _ I/5 IV/3 ; viid v7x3 I VI7/3 |
(religious mood: sad), 'dona nobis pa-' 71 beat 3 '-cem,/' (person mood: sad) 'dona'
70-71: Bm Dx5 Bmx5 Bx3 ; A#dimx3 F#x5/A# Bmx5 Bx3 0 (Emx5/G Em7x5/G) (C#dim/G Em/G) Edim/G ~ ; Bm/F# Bm Dx5 Bmx5 0
70-71: b: i IIIx5 ix5 ix3 ; +viidx3 Vx5/3 ix5 ix3 | (ivx5/3 iv7x5/3) (iid/5 iv/3) ivd/3 _ ; i/5 i IIIx5 ix5 |
'nobis pacem,'
72: F#x3s4 ~ A#dim/E Bmx5/D ; C#m7x5 ~ Bm/D Em 0
72: b: vx3s4 _ +viid/5 ix5/3 ; iid7x5 _ i/3 iv |
'pacem,' tutti, 73 beat 3 (group mood), 'pacem,'
73: (A#dim/E F#7x3/E Bmx5/D Bmx5) ; tutti: D7 0
73: b: (+viid/5 v7x3/7 ix5/3 ix5) ; tutti: G: V7 |
letter E (crowd mood), 'dona nobis pacem,/dona nobis pa-/dona nobis/dona'
74-75: Dx3,5 ~ ~ Gx3 ; Gx3s4 (!) ~ D7x5/F# G 0 D7x3s4/A ~ D7/A Gx5/B ; D7x3s4 ~ D7 Gx5 0
74-75: G: vx3,5 _ _ ix3 ; ix3s4 (!) _ V7x5/3 I | v7x3s4/5 _ V7/5 Ix5/3 ; v7x3s4 _ V7 Ix5 |
'dona, dona/(pa-)cem, do-/pacem, dona/nobis, dona'
76: Am7/G ~ D7/F# G ; (Am7x5 Am9x5) (F#dim/A Am7x5) (Bmin9x3 Gmaj79x5/B) (F#dim/C F#dimmin9/C) 0
76: G: ii7/7 _ V7/3 I ; (ii7x5 ii9x5) (viid/3 ii7x5) (iiimin9x3 Imaj79x5/3) (viid/5 viidmin9/5) |
'(do-)/nobis pa-,' 77 beat 4 (group mood), '-na,/-cem,'
77: D7/C (D11x5/C D7/C) G/B E7/D ; ~ (E11x5/D E7/D) A/C# A7/E 0
77: G: V7/7 (V11x5/7 V7/7) I/3 VI7/7 ; _ (VI11x5/7 VI7/7) II/3 II7/5 |
77: G: V7/7 (V11x5/7 V7/7) D: IV/3 II7/7 ; _ (II11x5/7 II7/7) V/3 V7/5 |
'dona nobis pacem,'
78: D (A7x3s4/E D/F#) Em/G G#dim7 ; D/A A (Ax3,5 A7x3,5/G) (F#mx5 A7x3/E) 0
78: D: I (v7x3s4/5 I/3) ii/3 +ivd7 ; I/5 V (vx3,5 v7x3,5/7) (iiix5 v7x3/5) |
solo (religious mood), 'dona nobis pacem, pacem,'
79-80: Dx3 D F#mx5 Dx5 ; Ax3s4 ~ C#dim/G Dx5/F# 0 Em7x5/G ~ D/A G/B ; C#dim A7x3 Dx5 ~ 0
79-80: D: ix3 I iiix5 Ix5 ; vx3s4 _ viid/5 Ix5/3 | ii7x5/3 _ I/5 IV/3 ; viid v7x3 Ix5 _ |
tutti (religious mood still), 'dona nobis pacem, pacem,'
81-82: G D A7/G D/F# 0 A7/C# D ; (D/A A) (Ax3,5 A7x3,5/G F#mx5 A7x3/E) 0
81-82: D: IV I V7/7 I/3 | V7/3 I ; (I/5 V) (vx3,5 v7x3,5/7 iiix5 v7x3/5) |
solo (religious mood), 'dona nobis pacem, pacem,'
83-84: Dx3 Dm Fx5 Dmx5 ; Ax3s4 ~ C#dim/G Dmx5/F 0 Em7x5/G ~ Dm/A G/B ; C#dim A7x3 Dm ~ 0
83-84: d: ix3 i IIIx5 ix5 ; vx3s4 _ +viid/5 ix5/3 | ii7x5/3 _ i/5 IV/3 ; +viid v7x3 i _ |
tutti (group mood), 'dona nobis, dona nobis pacem,'
85-86: A G#dim6 Gdim6 Dm/F 0 A7/C# (_ Dm) ; (Dm/A A) REST 0
85-86: d: V +ivd6 ivd6 i/3 | V7/3 (_ i) ; (i/5 V) rest |
solo (person mood), 'dona pa-/dona'
87: Ax3,5 ; (Ax5/C# Ax3,5 (Ax5/C# A7x5/C#) (F#m/A A)) 0
87: finally D: vx3,5 ; (Vx5/3 vx3,5 (Vx5/3 V7x5/3) (iii/3 V)) |
'(pa-)/nobis, nobis pacem, dona'
88: D D/A A7x5/C# (F#mmin9x7/A A7) ; D D/A A7x5/C# (F#mmin9x7/A A7) 0
88: D: I I/5 V7x5/3 (iiimin9x7/3 V7) ; I I/5 V7x5/3 (iiimin9x7/3 V7) |
'-cem,/dona nobis'
89: D ~ G/B D/A ; Em/G C#dim/E A/C# A7 0
89: D: I _ IV/3 I/5 ; ii/3 viid/3 V/3 V7 |
'pacem,'
90: Dx5 Emx5/G D/A A ; Dx3,5 Dx3/A F#mx5 D 0
90: D: Ix5 iix5/3 I/5 V ; ix3,5 ix3/5 iiix5 I |
tutti (combined person and (91 beat 3) crowd moods), 'dona pa-/dona'
91: Ax3,5 ~ ; (A7x5/C# A7x3,5) (A7x5/C# ~ F#mmin9x7/A A7) 0
91: D: vx3,5 _ ; (V7x5/3 v7x3,5) (V7x5/3 _ iiimin9x7/3 V7) |
'(pa-)/nobis pa-/nobis, nobis pacem, dona'
92: D D/A A7x5/C# (F#mmin9x7/A A7) ; D D/A A7x5/C# (F#mmin9x7/A A7) 0
92: D: I I/5 V7x5/3 (iiimin9x7/3 V7) ; I I/5 V7x5/3 (iiimin9x7/3 V7) |
'-cem,/dona nobis'
93: D (Dx3 ~ Ax3s4/D D) G/B Dmaj7/A ; Em7/G (C#dim/E ~ F#min9x3/E C#dim/E) A/C# A7 0
93: D: I (ix3 _ vx3s4/4 I) IV/3 Imaj7/5 ; ii7/3 (viid/3 _ iiimin9x3/7 viid/3) V/3 V7 |
'pacem do-/dona'
94: D Em/G D/A A ; Dx3 (Dx3 ~ Ax3s4/D D) G/B Dmaj7/A 0
94: D: I ii/3 I/5 V ; ix3 (ix3 _ vx3s4/4 I) IV/3 Imaj7/5 |
'-na/nobis pacem,' 96 beat 3 (group mood), 'dona'
95-96: Em7/G (C#dim/E ~ F#min9x3/E C#dim/E) A/C# A7x5 ; D Bm Em7/G A 0 (Dx3 D (Ax3,5 A7x3,5) (F#mx5 A7x3/E)) ; D 0
95-96: D: ii7/3 (viid/3 _ iiimin9x3/7 viid/3) V/3 V7x5 ; I vi ii7/3 V | (ix3 I (vx3,5 v7x3,5) (iiix5 v7x3/5)) ; I |
'nobis pacem,'
97: D/A ~ A7/G D/F# ; Em7/G ~ D/A G 0
97: D: I/5 _ V7/7 I/3 ; ii7/3 _ I/5 IV |
rit., 'pacem,' 98 beat 3 (religious mood), 'do-'
98: A7/C# D A7 ~ 0
98: D: V7/3 I V7 _ |
'-na', a tempo, 99 beat 3 (group mood), 'pa-'
99: G#dim7 REST Ax3s4 A7 0
99: D: +ivd7 rest vx3s4 V7 |
'-cem,' rit., 100 beat 3 (religious mood), 'do-'
100: Bm REST A7 ~ 0
100: D: vi rest V7 _ |
'-na', a tempo, 101 beat 3 (group mood), 'pa-'
101: G#dim7 REST Ax3s4 A 0
101: D: +ivd7 rest vx3s4 V |
'-cem, pa-', 102 beat 3 (religious mood in soprano, holding as others drop out) '-cem.'
102: Dx3 A D REST ~/
102: D: ix3 V I rest |/
Comparisons of the harmony of various measures:
i:
25: G: I |
60+: A: ; I I/5 I/3 I |
66: A: ix3 ix3/5 ix3,5 _ ;
i ii i v:
60: A: I ii/3 I/5 V ;
94: D: I ii/3 I/5 V ;
90: D: Ix5 iix5/3 I/5 V ;
i iii i:
66+: A: ; ix3 iiix5 Ix5/3 ix3/5 |
90+: D: ; ix3,5 ix3/5 iiix5 I |
70: b: i IIIx5 ix5 ix3 ;
71+: b: ; i/5 i IIIx5 ix5 |
53-54: D: ix3 I iiix5 Ix5 ; vx3s4 _ viid/5 Ix5/3 | ii7x5/3 _ I/5 IV/3 ; viid v7x3 Ix5 _ |
79-80: D: ix3 I iiix5 Ix5 ; vx3s4 _ viid/5 Ix5/3 | ii7x5/3 _ I/5 IV/3 ; viid v7x3 Ix5 _ |
83-84: d: ix3 i IIIx5 ix5 ; vx3s4 _ +viid/5 ix5/3 | ii7x5/3 _ i/5 IV/3 ; +viid v7x3 i _ |
68-69: A: I _ iiix5 Ix5 ; vx3s4 _ viid/5 Ix5/3 | ii7x5/3 _ I/5 IV/3 ; viid v7x3 I VI7/3 |
i iv i:
59: A: I _ IV/3 I/5 ; ii/3 viid/3 V/3 V7 |
89: D: I _ IV/3 I/5 ; ii/3 viid/3 V/3 V7 |
i iv ii:
64: A: (Ix5 I) (IV ii/3) I/5 V ;
i v:
13: D: I _ v/3 |
33-34: a: i i/5 _ _ i _ | V7/3 |
35-36: a: i/5 _ i | V7/3 _ _ _ _ V7 |
41-42: b: i i/5 _ | V7 _ _ V7/7 Vaug7 V7/5 |
43-44: b: i i/5 _ | V7 _ _ V7/7 Vaug7 V7/5 |
i v i:
102: D: ix3 V I rest |
97: D: I/5 _ V7/7 I/3 ;
74+: G: ; ix3s4 (!) _ V7x5/3 I |
i v i ii:
78: D: I (v7x3s4/5 I/3) ii/3 +ivd7 ;
i v i iv:
63: A: I (ix3 _ vx3s4/4 I) IV/3 Imaj7/5 ; ii7/3 (viid _ iii7min9x3/5 viid) V/3 V7 |
93: D: I (ix3 _ vx3s4/4 I) IV/3 Imaj7/5 ; ii7/3 (viid/3 _ iiimin9x3/7 viid/3) V/3 V7 |
64+: A: ; I (ix3 _ vx3s4/4 I) IV/3 Imaj7/5 |
94+: D: ; ix3 (ix3 _ vx3s4/4 I) IV/3 Imaj7/5 |
i v i v:
1-4: b: i | V7/3 | i | V7/3 |
17-20: e: i | V7/3 | i | V7/3 |
9-12: D: I | V7/3 | I | V7/3 |
i v iii v:
78+: D: ; I/5 V (vx3,5 v7x3,5/7) (iiix5 v7x3/5) |
96: D: (ix3 I (vx3,5 v7x3,5) (iiix5 v7x3/5)) ; I |
58: A: I I/5 V7x5/3 (iiimin9x7/3 V7) ; I I/5 V7x5/3 (iiimin9x7/3 V7) |
62: A: I I/5 V7x5/3 (iiimin9x7/3 V7) ; I I/5 V7x5/3 (iiimin9x7/3 V7) |
88: D: I I/5 V7x5/3 (iiimin9x7/3 V7) ; I I/5 V7x5/3 (iiimin9x7/3 V7) |
92: D: I I/5 V7x5/3 (iiimin9x7/3 V7) ; I I/5 V7x5/3 (iiimin9x7/3 V7) |
i vi iv:
16: e: ix3 _ VIx5 iv iid7 +viid6min9x7 |
32: a: ix3 _ VIx5 iv iid7 +viid6min9x7 |
i vi v:
5-8: b: i VI/3 _ | vid/3 V/3 v/3 | +vid7 +vid6 VI7 | idx3s5/5 Vx5/3 rest |
21-24: e: i VI/3 _ | vid/3 V/3 v/3 | +vid7 +vid6 VI7 | idx3s5/5 Vx5/3 rest |
i vi vii:
45-48: b: i _ VI/3 | +viid6 V/3 v/3 | +vid6 _ VI7 | ids5/5 V rest |
i vii:
37: a: ix3s4/5 i/5 _ _ _ VII7/7 |
ii i:
50: D: ii7x5/3 _ I/5 IV/3 ;
97+: D: ; ii7/3 _ I/5 IV |
72+: b: ; iid7x5 _ i/3 iv |
ii v:
77+: D: ; II7/7 (II11x5/7 II7/7) V/3 V7/5 |
ii v i:
76: G: ii7/7 _ V7/3 I ;
ii vii ii:
76+: G: ;(ii7x5 ii9x5) (viid/3 ii7x5) (iiimin9x3 Imaj79x5/3) (viid/5 viidmin9/5) |
ii vii iii:
65: A: ii7/3 (viid _ iiimin9x3/5 viid) V/3 V7 ; (Ix5 I) (IV ii/3) I/5 V |
95: D: ii7/3 (viid/3 _ iiimin9x3/7 viid/3) V/3 V7x5 ; I vi ii7/3 V |
ii vii v:
16: D: iix3 _ -VIIx5 v iiid7 +id6min9x7 |
32: G: iix3 _ -VIIx5 v iiid7 +id6min9x7 |
iv i:
51: D: IV I V7/7 I/3 |
81: D: IV I V7/7 I/3 |
iv ii iv:
71: b: (ivx5/3 iv7x5/3) (iid/5 iv/3) ivd/3 _ ;
iv ii iv vii:
67+: A: ; (IVx5 IVmaj7x5/7) (ii IV/5) viid7x3 _ |
iv v:
67: A: ivdx3 Vx5 Ix5/3 ix3/5 ;
+iv
15: e: +ivd6 vx3s4 V |
31: a: +ivd6 vx3s4 V |
99: D: +ivd7 rest vx3s4 V7 |
101: D: +ivd7 rest vx3s4 V |
v:
38: b: V _ V7 |
v i:
30: a: V7 _ id/5 |
39: b: V7 _ id/5 |
74: G: vx3,5 _ _ ix3 ;
75: G: v7x3s4/5 _ V7/5 Ix5/3 ;
75+: G: ; v7x3s4 _ V7 Ix5 |
v i iii:
49: D: vx3,5 I iiix5 Ix5 ;
v i v:
98: D: V7/3 I V7 _ |
52: D: V7/3 I ; (I/5 V) (_ V7/7 _ V7/5) |
86: d: V7/3 (_ i) ; (i/5 V) rest |
v i v i:
56: A: (V7/7 I/3) (V7/5 I) ; (I/5 V) rest |
v i v iii:
82: D: V7/3 I ; (I/5 V) (vx3,5 v7x3,5/7 iiix5 v7x3/5) |
v iii v:
57: A: vx3,5 _ ; (Vx5/3 vx3,5) (Vx5/3 V7x5/3 iii/3 V) |
87: D: vx3,5 ; (Vx5/3 vx3,5 (Vx5/3 V7x5/3) (iii/3 V)) |
61: A: vx3,5 _ ; (V7x5/3 v7x3,5) (V7x5/3 _ iiimin9x7/3 V7) |
91: D: vx3,5 _ ; (V7x5/3 v7x3,5) (V7x5/3 _ iiimin9x7/3 V7) |
v iii v i:
26-27: G: V7 _ (iiimin9 V7/5) | (I _ _ I9x7/2) I I/5 |
28-29: G: V7 _ (iiimin9 V7/5) | (I _ _ I9x7/2) I v/3 |
28-29: G: V7 _ (iiimin9 V7/5) | (I _ _ I9x7/2) I a: iv/3 |
v +iv:
14: e: V7 _ +ivd6 |
v +iv iv:
85: d: V +ivd6 ivd6 i/3 |
v vi:
40: b: V _ vid vid/5 ivd6 +viid6 |
v vii:
49+: D: ; vx3s4 _ viid/5 Ix5/3 |
72: b: vx3s4 _ +viid/5 ix5/3 ;
+v:
15: D: +vd6 vix3s4 VI |
31: G: +vd6 vix3s4 VI |
vi:
38: a: +VI _ +VI7 |
vi ii:
30: G: VI7 _ iid/5 |
39: a: +VI7 _ iid/5 |
vi v:
100: D: vi rest V7 _ |
vi +v:
14: D: VI7 _ +vd6 |
vi vii:
40: a: +VI _ viid viid/5 vd6 +id6 |
vii:
50+: D: ; viid v7x3 Ix5 _ |
70+: b: ; +viidx3 Vx5/3 ix5 ix3 |
Mid-measure key changes:
13: D: I _ e: iv/3 |
29: G: (I _ _ I9x7/2) I a: iv/3 |
37: a: ix3s4/5 i/5 _ _ _ b: VI7/7 |
55: D: I V/3 A: V7/5 I |
55: D: I A: I/3 V7/5 I |
77: G: V7/7 (V11x5/7 V7/7) D: IV/3 II7/7 ;
73: b: (+viid/5 v7x3/7 ix5/3 ix5) ; G: V7 |
Copyright (c) 2009 Mark D. Blackwell.
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